Blacksmithing Boje is about the 7 Steps of Restorying to rebalance the relation of SELVES, AWARENESS, with ECOSYSTEMS, & OTHERS (& Organizations).

My Name is David M. Boje. I am not only a Vietnam veteran, I am a Ph.D. in Storytelling, and I do Restorying of old stereotype fo Self and ways the Society and Organizations of all types story our Veteran Selves in ways that are NOT helpful.

With RETORYING, a way to Time Travel to past and future to find moments when I and other veterans were exceptional. These are called LITTLE WOW MOMENTS. That gets us material to carft a 'new story' of Being in the Now, and a new future. With emboidment mindful medittion, the RETORYING becomes a new habit of thought and action. It becomes sustainable. David Boje email for Restorytelling seminar -- Boje Family History pages (need password) Call 575-532-1693 for more info on PeaceAware Restorying work in your area.


Essay by David M. Boje, Ph.D. March 7, 2014; revised Mar 26, 2015

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How you can help: Click on GoFundMe - thank you!

GOAL: To raise a total of $3,000 to put on three theater productions where formerly homeless veterans present "Life of Veterans in America."

Our next production ( 'Dead While Waiting for My VA Appointment!’) is APRIL 30th 5:30PM-630PM at NMSU Center for Performing Arts. Tickets $6 Students, $12 Adults (lodge), & $25 (Front Row). Order tickets online at CrowdSource Project: or call Dr. Boje at 575-936-9578. Or, order tickets by mail: send check to Dr. Boje 4700 Dunn Drive. Las Cruces, New Mexico 88011. We can mail you back your tickets or you can pick them up at the theater (1000 E University Ave, Las Cruces, NM 88003).

Here is link to our first public live performance held March 18 2015 in case you missed it:

Above NMSU professors Dr. Erika Gergerich and Dr. David Boje, directing Veterans Theater

My name is David M. Boje Ph.D. I am a Storytelling Change Agent, Amateur Blacksmith, & ‘Wells Fargo’ Chaired Professor at New Mexico State University, and Aalborg University awarded me their Honorary Doctorate and affiliated me with Material Storytelling Lab, Denmark. I am working with Dr. Erika Gergerich from NMSU Social Work to direct theater productions with the Veterans from Community of Hope.

The MGT375v (Sustainable Development and Global Environment) students (Areej, Luke, Sharron, & Meshal), the Veterans of Community of Hope (Ernst, Sykes, Johh Hawk, BA, Michael, and Dr Erika Gergerich’s social work students (Jen Kitcey, Maxie ...) are creating a SUSTAINABLE BUSINESS called ‘VETERANS’ THEATER’.
The "Veterans’ Theater” business is putting on plays in university, public school, and community theaters --- to paying customers.

"In case you forgot, the VA is still terrible. Despite a Los Angeles VA official claiming their new wait times were four days—it turns out it’s really more like 44 days." --- Jon Stewart skewers the VA’s 44-day-long wait times...
Watch below or click here:

Jon Stewart's 'Daily Show' Segment Leads To Huge Change For Veterans

"The Choice Program, which was put in place to speed access to medical care after it was revealed that some patients had been waiting months for treatment, allows veterans who live far from VA facilities to get out-of-network care closer to home." More


Our project is creating economic sustainability for Las Cruces homeless veterans in transitional living at Camp Hope and Oak St. start their own business. We are doing this by fund raising events and by crowdsourcing. Crowdsourcing is a way social entrepreneurs process of obtaining needed services, ideas, or content by seeking contributions from a large group of people. Here is a YouTube of a rehearsal of Act IV: ‘Why VA if Full of Madness'

Veterans Theater — For more information, see
Or contact Professor David M. Boje, Management
Department, NMSU, 575-936-9578 (cell)

VETERANS' THEATER REHAEARSAL LOCATION: Community of Hope's Veteran's Transitional Living, 3350 Oak Street, Las Cruces, New Mexico 88005-3784

We did our first performance at Sweet CeCe's on 18 March 2015 at 7PM. It was a sell out crowd, an evening of laughter and critical merriment. We raised $200. We did our tabling at the El Paseo Wal-Mart in Las Cruces March 21 2015 and raised another $130. Togother with the GoFundMe crowdsourding we have raised over $1,000. We are now 1/3rd of the way to our goal: To raise $3,000 for the theater rental fees, set construction costs, and printing costs we have for 2015. Give to

Above are VETERANS THEATER performers (Maxie & Jen from NMSU Social Work with David, Michael & John (3 veterans) at fundraiser owned by a Vietnam veteran, located at Las Cruces 901 East University Ave, Suite B Las Cruces, NM 88003. Here is the Sweet CeCe Event Flyer created by NMSU Marketing Student Areej Gardi.

more at


Above is BA, Ernst (holding mic), John Hawk, Alex & Christopher (holding signs), & Sykes (wearing Army shirt). These actors are all Community of Hope veterans in transition from homelessness. They are telling their stories. The sign 'All Threats Will be Teken Seriously' is what the VA actually displays in its offices. The second sign is our comic relief. See 30 minute YouTube video by Matthew Saylors (filmographer) of our first public performance of Veterans Theater (18 March 2015.

Professors David Boje of College of Business and Erika Gergerich of Social Work in College of Health and Social Services are bringing together veterans in transition from homelessness with social worker and business sustainability students to give the audience a look at the Veterans Administration (VA) from the inside out.

Social workers (nurses, doctors, etc.) have a heart-of-care and somehow strait-jacketed working in the VA by a bureaucratic mess. The veterans-themselves and the social workers bring the VA pattern of processing vets into view on the stage so that he audience can engage a disciplined inquiry into the organizational behavior and achieve an understanding of the pedagogy of the oppressed. David Boje of College of Business directs the Veterans' Theater. He is Equine-Assisted Growth And Learning Association (EAGALA) equine specialist also certified to work with veterans and military family members.

EAGALA (see our http://peaceaware.eagle) site for more info on our work with horses and veterans.

The Veterans' Theater audience enters a space of critical dialgouge of how the VA engages in universal standard-making practies while social workers attempt to use story-listening in a heart-of-care and not fall into the bureaucratic trap of processing 'cases' instead of 'people.' Here is an example:

Above, an NMSU Social Work student volunteers to take the role of a VA service provider, and reenact a scene, to see how the VA might use the resources it has to do its work with more humanity towards veterans. From left to Right: David (NMSU & Vietnam Veteran), Jen and Maxie (NMSU social work), volunteer social work student from audience, and Sykes a co-founder of Camp Hope and Vietnam Veteran). This approach to problem solving is called Forum Theater, and was created by Augusto Baol, and is based on Paulo Freire's Pedagogy of the Oppressed. It is a way for the the veterans and social workers to 'speak back to powerful' institutions such as the VA, and bring aobut problem solving, and bring the entire audience into the Situation.

Above 'Veterans Theater actors': BA (22 year MP who heads up 'Safety Team' at Camp Hope; veterans Ernst, Sykes, and John from Transitional Living unit of Community of Hope who are developing the plays about the meds-industry relations with the VA to show the audience how this looks from the inside out.

Above is our first live audience. Thank you for attending the 18 March event, now buy tickets for the April 30th full performance.

We are raising $3,000 to put on the full five act perofmrance. All money goes toward producing the plays, theater costs, set design, costumes, transportation, and getting our veterans' story onto the big stage. All proceeds go to Veteran's Theater costs and to pay for EAGALA sessions for our veterans and any family members. 'SUPPORT THE TROOPS' with more than words! Their smiles are thanks enough! Order a front row $25-seat at the first show, or $6 students, $12 adults. The show must go on!

The Veteran's Theatre Group (John Hawk, David Boje, Ernst Ramey, Brad Stiles, and D. Sykes Jr.; not shown Carlos Ramsdell Macías) ;

    minute about

    Veterans' Theater

    A quick video describing the veteranstheater.

Thank you from Veterans' Theater.

THE PROBLEM: The death of storytelling! The disappearance or 'death' of storytelling is to blame for the increase in veterans suicides (22 each and every day). Walter Benjamin (1936) in his calssic essay, The Storyteller, diagnosed the death of storytelling because people jsut don't sit around and practice their storytelling skills anymore. The disappearance of storytelling competencies in American enterprises is responsible for veterans not getting the heart-of-care they need and are eligble to receive from the Veterans Administration (VA). To date, 19,500 veterans died while waiting for care, caught up in strange rules, lsot paperwork, a process over-dependent on dispensing medications instead listening to the veterans themselves about their needs. The VA is perfectly designed to produce the death results it is getting: ineffective storytelling, no story-listening skills. Veterans, social workers, nurses, doctors of all type, and the nation would like to find solutions to the death of storytelling at the VA, and to the death of veterans who served the USA. How is it that social workers (psychologists, nurses, physicians, etc.) are trained by our finest universities in the land, yet are unable to understand the stories that veterans are telling? Could it be a crisis of story-listening. This is why we are putting on Veteran Theater events, so you the public can enter into the story listening and the storytelling, as we speak back to the most powerful institutions in the land: VA and pharmeceutical companies, and the American Psychological Association.

What are the storytelling competencies that have died in the USA since World War II? Walter Benjamin’s (1936) amazing essay, The Storyteller , is in my view, the most seminal piece on organizational storytelling ever written. Bejamin argues that ways of storytelling are dying, being replaced by trite linear-narrative, information processing instead of care, and bureaucratic forms of communication that making story-listening impossible. Storytelling for Benjamin is a craft, one that grew up in the pre-capitalist world of people sitting around telling and listening to stories while they did their sewing, weaving, or sea-faring crafts. Benjamin lamented that the face-to-face listening and story swapping in work groups was on the decline. Now with our society (me included) using iPhones, iPads, Tweets, Facebooking, YouTubing, and staring at so many computer screens, those face-to-face storytelling skills are more in decline, than ever before. Benjamin foretold that storytelling forms of high reflexive introspection, and critical communicative understanding would be increasingly dominated by the over-simplifying narratives of abstraction, destroying the richness and nuance our ‘living story’ experiences of Being, dumbing them down, in an increasing bureaupahology, no where, more prevelant than the VA. The VA social workers and veterans seeking help there, are both losing storytelling competencies with each new generation.

The ability of the veteran storyteller to weave and spin their experiences into communicative competence has been lost. The ability of the social worker, as story-listener, to engage what is told with any sense of moral reflexivity has long been lost.

At Veterans' Theater, we believe it takes the entire community to regrow the lost competencies of storytellers and story-listeners. Walter Benjamin (1936: 91) said these are skills best honed in a “rhythm of work” among craftspeople, in the “milieu of work-the rural, the maritime, and the urban… artisan form of communication.” This is why the focus of Veterans' Theater is on dramaturgy, on reenacting the scenes of encounter between veterans and social workers at the VA office, while the audience of America, can observe for themselves, the breakdown in storytelling, the death of storytelling, first hand.

Veterans can no longer exchange their experiences of trauma of war (PTSD, TBI), marital crisis, joblessness, that economic collapse sending 49,933 veterans into homelessness, including veterans of Vietnam, and the recent wars in Iraq, Kosovo, and Afghanistan.

We are resurecting lost storytelling competencies by putting on public performances by veterans and social workers where the live audience has opportunities to participate in the 'storytelling', to engage inreal time problems solving, to relaim the lost art of storytelling.

What are the lost competencies of storytelling?

"All great storytellers have in common the freedom with which they move up and down the rungs of their experience as on a ladder. A ladder extending downward to the interior of the earth and disappearing into the clouds is the image for a collective experience to which even the deepest shock of every individual experience, death, constitutes no impediment or barrier" (Walter Benjamin, 1936: 83).

It it impossible to move up and down the rungs of veterans' experiences, when the ladder is so bureaucratic, so riven with informaiton processing devices, and bureaucratic protocols, that the humanity of the storytelling itself, ceases to exist.

The storytelling practices between the veterans and the VA social workers, medical doctors, psychologists, and so on, has broken down. Veterans' Theatre creates a place of practice, a time to experiment with old school ways of storytelling, riach in performative competencies. This is a dramaturgical encounter between the veterans and the social work profession, the pharmeceutical industry of over-medication, the profession of psychology that has become diagnosis-by-numbers (akin to paint-by-numbers), and all professions everywhere that engage in bureaucratic-communication with veterans doing their storytelling, having untold stories in organizations (Izak, Hitchin, & Anderson, 2015).

There is an even deeper and more troublesome root cause: The death of storytelling is accmpanied by a a society turning its bakc on death itself.

The Death of Storytelling Indictments:

  1. We do formally charge that the death of storytelling is a serious crime. The death of storytelling is an indictment for societal conspiracy, a society trying to turn its back on the death of veterans, on death itself!
  2. The dramaturgy we observe at the VA is a situation, a storytelling system that is so bad, it deserves to be condemned. Yet, there is somthing eles that is troubling, a society that cannot stare death in the face.
    How can the USA sit by and watch the death of storytelling when it does lead to so many other kinds of death of veterans? 22 veteran suicides a day, 8030 a year, 56,210 every 7 years --> more than death by combat --> more veteran suicides than happened in WWI or WWII. Surely the nation is watching death in video games, yet unable to face the death of its soldiers, its veterans after deployment.

These are indictments, not of the VA, but of an entire society, that is complicit in the death of storytelling! The death of storytelling coincides with the way the face of death itself has changed.

"Death is the sanction of everything that the storyteller can tell" (Benjamin, 1936, online).

"Dying was once a public process in the life of the individual and a most exemplary one; think of the medieval pictures in which the deathbed has turned into a throne toward which the people press through the wide-open doors of the death house. In the course of modern times dying has been pushed further and further out of the perceptual world of the living" (Benjamin, 1936, online).

Veterans who escape dying in the theaters of combat return home, in these modern times, ony to have their dying pushed out of view of the world of the living society. Today veterans are stowed away in VA waiting lists, or in VA hospitals, so that the rest of society is never touched by death. Yet we all know of veterans or know of a friend of a veteran, who died waiting for care.

"The idea of eternity has ever had its strongest source in death. If this idea declines, so we reason, the face of death must have changed. It turns out that this change is identical with the one that has diminished the communicability of experience to the same extent as the art of storytelling has declined" (Benjamin, 1936, online).

The purpose of Veterans' Theater is to bring the lost arts of storytelling back to life. We practice increased communicability of veterans' and the VA social workers' experiences. We do our dramaturgy to restore to life storytelling practices that bring a new vigor to not only storytelling at the VA, but resuscitate storytelling in the USA. We are here to relaunch storytelling! Storytelling has collapsed and has yet to be resurrected. In this way dead storytelling is resurrected. In a land where veterans can no longer tell a tale of trauma properly, we are reclaiming lost storytelling competencies, putting them in the Mirror Stage, so USA can see its own storytelling practices, in the mirror.


Benjamin, Walter. 1936/1955/1968. The Storyteller: Reflections on the works of Nikolai Leskov, Pp. 883-110. In Illuminations, Edited with introduction by Hannah Arendt. Translated by Harry Zohn.  NY: Harcourt, Brace & World, Inc. 1936/1955 in German, 1968 in English. See searchable PDF


I am often asked why is someone from the College of Business doing work with veterans? I want to understand how 22 veteran suicides a day is related to doing business with the VA.

According to the VA: The care needed for 25.6 million living veterans is unsustainable given "the federal budget climate” (p. 4,

Here are the Facts: About 4 million of the 25.6 total number of living veterans receive care in any given year. This means that VA does not have the budget for facilities, personnel, technology, meds, etc. to actually do the job. The USA strategy therefore has been to restrict and allocate care by giving priority access to veterans with service-connected disabilities. This means that most veterans, committing suicide (22 a day) are not receiving any VA care.

In Las Cruces, for example, 80% of the veterans at Community of Hope do not seek or receive VA benefits. Rather, they exist on medicaid, medicare, or private care. Of 22 suicides a day, 21 of the 22 have no care at all.

The VA operates 162 VA hospitals nationwide. 57 VA regional offices provide benefits to veterans. VA has medical care budget of more than $28 billion, and employs more than 180,000 health care professionals in 162 hospitals, more than 850 community and facility-based clinics, 137 nursing homes, 43 domiciliaries, 206 readjustment counseling centers, and various other facilities throughout the country.

Of the 25.6 million living veterans, most (75 percent) served during a war or an official period of hostility. Of these, Over 6.2 million enrolled veterans look to VHA for health care services and more than 4.3 million veterans received care in FY 2002.

"VA has been unable to provide all enrolled veterans with timely access to health care services because of the tremendous growth in the number of veterans seeking VA health care” (p. 4).

source of above statistics:

The VA does a lot of business with pharmaceutical companies.

In the April 30th 2015 VETERANS' THEATER production the veterans and social workers, in the production, will be taking a critical look at the role of pharmaceutical companies.

"Eight pharmaceutical companies, including the nation's three largest, doled out more than $220 million last year to promotional speakers for their products, according to a ProPublica analysis of company data.

For the first time, all these companies have reported a full year of payments, allowing for head-to-head comparisons of how much they spent on physicians to help push their pills. Some appear to be paring back." (source)

This is big business. For example, Eli Lilly and Company (NYSE: LLY) announced financial results for the fourth quarter and full year of 2013.


"Total revenue in the U.S. increased 5 percent to $12.890 billion due to higher prices, partially offset by volume declines for Cymbalta and Zyprexa® due to the loss of patent exclusivity. “ … "Zyprexa sales outside the U.S. were $1.071 billion, a 20 percent decrease driven by the unfavorable impact of foreign exchange rates, lower volume in markets outside of Japan, and lower prices”

However, there is another side to the Zyprexa story, it may not be safe:

"Two patients have died unexpectedly after their Zyprexa Relprevv injections, and the FDA is now investigating. The agency says the patients died three to four days after receiving "an appropriate dose," and both had "very high" blood levels of olanzapine, the long-acting Zyprexa product's active ingredient” Source:… Made by Eli Lilly ($LLY), Zyprexa Relprevv is a follow-up to the company's blockbuster antipsychotic Zyprexa. The long-acting injectable version isn't a big seller for the company; Lilly doesn't even itemize its sales, just reports the total Zyprexa franchise revenue, which amounted to $1.3 billion last year. The Relprevv version is, however, still on patent, so it's selling at brand prices without generic competition. Its key patent expires in 2018.”….

"Zyprexa itself has come under plenty of FDA scrutiny. After years of reports of weight gain in Zyprexa patients, the FDA investigated, and the drug now carries a label warning of the risk of weight gain and metabolic problems. Lilly faced thousands of lawsuits from Zyprexa patients claiming the drug caused them to develop diabetes; the company wrapped up most of them in a $1.2 billion settlement. The company also paid $1.42 billion to resolve a Justice Department investigation into its Zyprexa marketing practices" source:

"Among the allegations: That Lilly pushed Zyprexa for children and for elderly dementia patients, both off-label uses. That it made particular efforts to push Zyprexa in long-term care facilities and nursing homes. And that Lilly aimed to make Zyprexa a primary care drug, despite the fact that it was only approved to treat two disorders--schizophrenia and bipolar disorder--typically not handled by primary-care doctors.” source:






We assume that most people in the VA are profesisonal, caring, and do the job of helping veterans the best way the can. The people in the VA are not the problem. The death of storytelling is the problem! Rather, it is the VA 'storytelling organization', that system of rules for determining how to listen to veterans' stories, that translates into how long to wait for a medical appiontment, who qualifies for care, and so on. The people in the VA play by game rules set by congress. The people working in the VA are trianed by universities. They are our sons and duaghters who attend university, undertake careers as social workers, medical doctors, psychologiests, nurses, and so on. Our play is humorous look at the 'rules of the storytelling game' played by VA, from the vantage point of veterans-in-transitional housing. We try to answer the question: Why can noone listen to the stories veterans are telling? How is the death of story-listening and storytelling resulting in veterans dying waiting for their appointment for care?

Vietnam Veteran and storytelling Professor David M. Boje is directing formerly homeless Oak Street veterans in a Forum Theater production of 'Dead While Waiting for My VA Appointment!'  

7.7 Million Americans have PTSD. 31% Vietnam Vets have PTSD.. (source).

Veteran's Theatre is a way for veterans to project Four Selves on the Mirror Stage: Frozen-Self, Social-Self, Heart-Self, and the Mirror-Self.

Please Post this Flyer.

Click on image to PRINT THIS BROCHURE


That’s the question the family and friends of Air Force Reserve Capt. Jamie Brunette are struggling to answer.

"At 30, Brunette seemingly had it all. A vivacious and attractive athlete and scholar, she had been lauded by the Air Force for her work in Afghanistan, was a partner in a fitness center about to open in Largo and was known by her family and friends as being the strong one always ready to help others.

But for some reason, Brunette, who left active duty after 11 years last June and joined the Air Force Reserve, couldn’t help herself.

On Feb. 9, Tampa police found her slumped over in the back of her locked Chrysler 200 sedan outside a Harbour Island cafe near her apartment." More 

Everyone wants to know, why are there so many homeless veterans (1 in 4 homeless are veterans)? Why are so many veterans homeless in the USA (49,933)? Why are 22 veterans a day committing suicide?

More facts... Veterans Theater FACTS

Figure 1: Veterans' Theater Can Stop this Dowward Cycle--> Learn the Facts, Become Aware of the Peace Effects after the Veterans Return from Deployment; Support Veterans' Theatre --> Veterans creating their own entrepreneurial adventure.


There are many reasons why people do not go to the VA

More see

An the big question: What can you and I do about it?

Dreams help! When a formerly homeless veteran has a dream then they don't become a statistic. Our dream is to get paying customers to see our plays.  

We are collecting donations for sets and costumes we can use to put on several theatre productions at university, schools, and local community theaters.  

GOAL: Our goal is to raise $3,000. Our university students, faculty, and you have stepped up to help sell tickets and fund the theater performances. We are now in rehearsal. Help if you can. Every little bit helps. 

See YouTube about these amazing veterans:

I am proposing a program: Building Change through storytelling for Veterans Transitioning form Homelessness in Peace Time. We are building sustainability in the Veterans’ Theatre business venture. For example, as an amateur blacksmith, I am recycling rebar into ten pegs for Camp Hope, so the tents don’t blow away.  I am also making a Kiln to melt beer and soda aluminum cans so they can be sand-cast into parts of life-size veteran-Marionettes that can be used in our stage productions of Veterans Theater

You can help by recycling rebar or aluminum, or donating directly at 

Above is Matt Mercer, whohelped found Camp Hope in 2011 after several years of living homeless in Las Cruces. Today, Mercer works for the Mesilla Valley Community of Hope, which runs the camp. (Source: Andres Leighton/For the Albuquerque Journal)

How Veterans' Theater Group Began

It started with sandtray work with homeless veterans, move along to EAGLE (equine-assisted-growth-and-learning-events) with our student veterans and families, now we are taking our own Forum Theatre on-the-road. Forum Theatre is Augusto Boal's way of getting the actors on the stage to interact with the audience spectators, until the spectators become actors, or as he calls them 'spect-actors'. Our innovation is to make this part of Lacan's Mirror Stage. Veterans recognize themselves in the strange reflected images of the Mirror Stage.

'Forum Theatre' where formerly Homeless Veterans Share Their Story And Move Forward on the Mirror Stage by Improving their Four Selves

Carlos Ramsdell Macías of
Storytime Enchantments’
The Sun & The Moon
Marionette Theatre
February 17, 2015

Carlos' Materials List to construct a Marionette Theatre Set and (10) Hand-Held Puppets. We raise $450 to fund Carlos' marionettes and stage set so he could purchase the following:

  1. (4) 1.5” X 1/8” X 20’ angle irons.
  2. (16 - 20) 4” metal casters with soft rubber wheels.
  3. (3) Closet door railings and wheel carriages.
  4. (2) ¼” X 4’ X 8’ MDF.
  5. (2) 3/8” X 4’ X 8’ MDF.
  6. (5) 2” X 4” X 8’ studs.
  7. (4) Gallons, acrylic house paint + (3) liters same.
  8. (1) 10-15’ extension cord.
  9. (2) Curtain rods.
  10. (10) Meters cotton cloth.
  11. Seamstress fund: ‘Sirrogues’ and 12 marionettes for ‘When Johnny…’
  12. Cloth and sewing materials for all puppets.
  13. (4) Sacks of Yeso Maximo, (plaster of Paris.)
  14. Used newspaper, flour and anti-fungal solution for papier maché.
  15. Alamo wood for hands and feet of ‘sirrogues’ and anatomies of marionettes.
  16. Stuffing for ‘sirrogues’.
  17. (3) Gallons of Bondo.
  18. (2) 4’ X 8’ X 1” extruded polystyrene, Foamular. + Liquid Nails adhesive for heavy-duty construction: (4) cartridges.
  19. Labor fund for assistant who will finish theatre structure while I finish marionettes specific to the ‘When Johnny…’ play and the ‘sirrogues’.
  20. Optional: Audio equipment: 4-speaker Sony with USB reader + small stereo.
  21. 4.5” grinder, Dewalt.


We plan to do several fund raisers:

Las Cruces 901 East University Ave, Suite B Las Cruces, NM 88001

We appread at CeCe's on 18 March 2015 at 7PM

Need to set the date
26th Annual Bataan Memorial Death March on 22 March 2015!     Registration is $110 per person; $500 for a team. SEEKING SPONSOR for 4 Vets to go Seeking Waiver for fee so that 5 veterans from Community of Hope may enter the event
Bruce Springstein Concert at Las Cruces New Mexico   We are $200,000 short of what Bruce's handlers want to come to Las Cruces The NMSU activities people have been talking to Springstein, and they are getting closer to agreeing on terms

How big should we make the Marionettes? HOW BIG IS YOUR DREAM?

Answer 1: Giant Size:How about a Veteran Marionette that is 50 Feet High, wearing a Screaming Eagle patch

  1. The little girl giant-playing in the park

    • 8 years ago
    Enchanting, spectacular, beautiful piece of fairytale that I think I'll ever see. Giantfigure puppet girl doll stands at 11-12 meter high.


Giant Walks Through Guadalajara

  • 4 years ago
This is an incredible marionette show designed by the French. It is an amazing show only seen in six countries, including Mexico.



    • 5 years ago


La petite géante et le scaphandrier (Royal de ... - YouTube
Jun 6, 2014 - Uploaded by Télénantes
Dans ce documentaire de 52 minutes, Télénantes vous fait revivre les trois jours du spectacle de la compagnie


Read KRWG story online; YouTube Link address

This is a 3 minute video about work we are doing with our veterans. Every person in America is 3 paychecks away from becoming homeless! We veterans grow up with every kind of institution from School, Family, University, the Military, and the Medical establishment storying and restorying us. The institutions story our Selves on the MirrorSstage in ways that is preventing care that would make fewer veterans a statistic.




What is the Mirror Stage for Veterans?

Jacques Lacan's Mirror State is about the identity formation of Self and Otherness. Each day more 22 veterans commit suicide, that is 8030 each year. For the first time in history more veterans die from suicide than from combat. 21 of the 22 a day do not seek mental health care. Why? We believe it has something to do with America's 'Mirror Stage.' Veterans pass through a Mirror Stage, various institution's constructions of the soldier's body, hero's body, warrior's body, the coming home body, and the PeaceAware body. These institutions construct the Self-Idientities of Veterans in contradictory ways making it difficult for the Veteran's 'embodied' Self to fully integrate. The veteran's body is reflected in the Mirror of the Military: Be Strong, in Society: Be Heroic, in the Family: Be the Loving Parent, in War: Be the Warrior, and in Peace: Be at Peace with everyone. The external image of the Veteran-Self is reflected in all these Mirrors. The veteran passes through Mirror-stages, reflected in the Military the veteran is told to be tough, suck it up, do what is needed to defend the country. Then in post-deployment, the veteran passes through more Mirror-stages. Society does not tolerate veterans seeking help because they don't want to know what happened over there. And veteran's learn from military and society, to just don't talk about it. Which is why we use sandtray work to heal the stories of over there, and Equine-Assisted-Growth-And-Learning-Events (EAGLE), to re-embody the veteran after they have been disembodied on the Mirror Stage of America. Now it's time for America to become more than a spectator, and be acocuntable for their role on the Mirror Stage.

“All this may be no more than a kind of game. But it is in the course of some such story that one can isolate functions like those that I wished to reproduce here on the blackboard. In order to conjugate the schema of the net with those I have made in response to a psychologizing theory of the psychoanalytic personality, you have only to turn the obturator I referred to earlier into a camera shutter, except that it would be a mirror. It is in this little mirror, which shuts out what is on the other side, that the subject sees emerge the game by means of which he may — according to the illusion of what is obtained in the experiment of the inverted bunch of flowers, that is to say, a real image —— accommodate his own image around what appears, the petit a.. It is the sum of these accommodations of images that the subject must find the opportunity for an essential integration” (Lacan, Book X, p. 159).

NOV 28 1962

From the cosmos to the unheimliche; The Seminar of Jacques Lacan, Book X: Anxiety (ed. Jacques-Alain Miller), N.Y.: Polity, 2014


Sandtrays, horse areans, and the Mirror Stage our theatre group performs, its all kind of stroytelling game. Each of these reproduces a stage, and you the audience take a picture of it, in the blink of an eye, except that too would be a little mirror that shuts out what is the Other, in a game of many images of Veterans held out of view.

THE 'MIRROR STAGE' DIALOGUE OF OUR FOUR SELVES Together Grace Ann Rosile and I, and our university colleagues, we are using an Embodied Restorying Process (ERP) approach we call 'HorseSense,' to get at what we call the relation of the Mirror-Self to the Heart-Self, Frozen-Self, and Social-Self on the American 'Mirror Stage'.

4 Selves in dialogue  - D. M. Boje 2014

Figure 1: The Four Selves in Dialogue - D. M. Boje, 2014

The Dialogue of the Four Selves on the Mirror Stage is going on every place in America, all the time. Under stress, and out of touch with Ecosystem, it becomes disembodied Cacophony, instead of what Mikhail Bakhtin (1981) calls the 'Polyphony' of a healthier and more Peaceful and PeaceAware 'Dialogic Imagination.'

double arrow relationalityThe arrows in the 4-Selves Dialogue are what I call Antenarrative is simply put a connectivity of little living stories we live and the bigger grander narratives that fossilize (Boje, 2001, 2008, 2011). More on antenarratives is at ANTENARRATIVE.COM. The antenarratives are before-narrative coherence, bets on many possible futures, what goes on beneach the Mirror Stage, and the between grand narratives of veterans by poeple who are not veterans and the living story web of veteran's own lived experience of life in America.

Where did the veteran's soul wound come from? Is there an intergenerational soul wounding going on in the family, in the military, in the society, on the Mirror Stage of America?

Embodied RESTORYING Process doen with a -of-Care

Table 1: 7 STEPS of Embodied Restorying Process (ERP)

1. Recharacterize (received Self identity) from institutions such as Military, Society, Films, Novels, Family, and so on.

2. Externalize (re-label) Make the Problem the old received-narratives, not the person. E.g. Mr. Military acts strong, does not admit weakness, and never seeks help or care for the Self.

3. Sympathize (benefits) – of old story of Mr. Military has its payoffs

4. Revise (consequences) – Map the Organization & Socio-Economic influences of consequences, including the stereotypes of received institutional identities

5. Strategize (Little Wow Moments of exception to grand narratives); Reclaim best of Veteran not Being according to institutional stereotypes

6. Restory (rehistoricizes the Grand old narratives by collecting Little Wow moments into New future stories of potentiality)

7. Publicize (support networking) e.g. letter writing with supporters of your ‘New Story’ of the future

Embodied Restorying Process (ERP) begins with♥-of-Care. It begins with mindfulness, embodiment practices to understand the FOUR SELVES: Social-Self, Frozen-Self, Mirror-Self, and -Self on the Mirror Stage. These four selves are in dialogue, continual conversation, not just in our mind's eye, but sociomaterially on the Mirro Stage.

Restorying moves you out of cacophony into polyphony (the symphony of voices conversing in our mind). Restorying is combined with mindfulness skill training so that the 'new story' is supported by dialogues among your Selves that connect you to Ecosystem and to Others in ways of Awareness, I call 'PeaceAware.'

The Embodied Restorying process belongs to the client, not to the facilitator. Colonization, WEstern-based pathologizing can result in a Grand Narrative characterization, a naming ritual that leaves the client disempowered. Deconstructing the Grand Narrative is central to Embodied Restorying. Little Wow Moments of dateable exceptions to the Grand Narrative form the recovered resources and courage to Restory. This brings Awareness + Selves in balance so the Body heals its Soul Wounds. Embodied Restorying looks at the Other, and Ecosystem. The Other of Western-based pathologizing, the way the VA and University with all good intentions, fruth the colonizing process that interferes with ehaling. The point is an Embodied Restorying teaches tools the facilitate indivudal and community healing processes.

An example of Forum Theatre

  1. Theatre of the Oppressed NYC: Sneak Peak

    A short video demonstrating the process of creating and presenting a Theatre of the Oppressed/Forum Theatre play. From "It ...
    • HD



  1. Fronteras 430: Helping out Veterans - Dr. David Boje

    Fronteras: A Changing America Anthony Moreno interviews DrDavid Boje, an NMSU Business Professor who is a Vietnam ...




Tribal Wisdom and Storytelling: Drs. David Boje and Gregory Cajete explain what is LIVING STORY.

We are using a temporary STORYTELLING LAB at NMSU to work out the methodology


We use a portable STORYTELLING LAB with Community of Hope Veterans to perfect our Embodied Restorying Process (ERP).

Embodied Storytelling Healing for Veterans by David Boje and Liz EnglandKennedy


We use Embodied Restorying Process in EAGLE (Equine-Assisted Growth & Learning Events) for Veterans and their families. The Horse is a Mirror to the Service Member and Family members feelings of stress and well-being.

Horse is a Mirror




See blog

More on storytelling at this blog

Each veteran has chosen these paths of storytelling, from family to military, and back again, to university, etc. Each path taken changes family relationships.  Civilians may not understand the path of a veteran.  The various organizations (Military, University, Medical, etc.) may story the veteran differently. They may not understand the story path.

Embodied Restorying Process (ERP) with Sandplay

Embodied Storytelling Healing for Veterans by David Boje and Liz EnglandKennedy


I find that a way to think about the Selves we story, and the Selves others story, is using the following Storytelling Triangles, to assemble fractals.

Please click on Storytelling Triangles below to go to those topics below.

Figure 2: 'Fractal' of Relationality; based on work by Tonya Wakefield (2012, 2013). We are doing a book for Routledge on the topic of Fractals.

The small Triangle Model of Awarenessmodel of relationality is about the involvement of our living Body (= Selves + Awareness) with Ecosystem and Others. As a fractal the Relationality Triangle is connected to Others and to Ecosystems through participation, moving, and involvement.

Participate Moving Involvement TriangleWe start combining our relationality triangles with others to form larger fractal patterns.

Combinint Relationality TrianglesThe relationality Triangles form fractal patterns in a sort of sacred geometry.

Relationality Triangle Fractal Patterns

By connecting Our-Self in involvement, to participate, and Be moving with Others, in Relationality, we change by expansion of fractal-relationality. Each Now, as Ekhart Tolle calls Now-moment, is a choice point for moving, participate, and involvement. These choice points are what we Create Promote and Allow (CPA). For example, I can promote waves of energy through Peace-Aware-ness and Love-Aware-ness or I can elect to CPA Rejection-, Anger-, Rage-, Revenge-, Jealousy-Aware-ness.

In Relationality, what is your CPA? What are you CREATING in you life world now? How are you PROMOTING that in your life world? What are you ALLOWING into your life world that affects your-SELVES and your AWARENESS?

I have been reading Anthony De Mello’s (1990) book on Awareness. It is I think a very good way to flesh out the fractal model of Awareness, Self, Others, and Ecosystem.

Be Aware of what you are saying, doing, thinking, and acting. “The unaware life is not worth living” (p. 67). “The unaware life is a mechanical life. It’s not human, its programmed, conditioned: (p. 67). To shane the Self, become Awake, Aware, and Understand. To change, “you don’t have to do anything” (p. 90). The negative feeling toward Others, or Ecosystem, so something the Self s responsible fore. The Self can become a dictator, a tyrant getting the Other and Ecosystem to comply. Simply being in Awareness you have already attained what you are pushing yourself for (p. 95).

The Embodied Restorying Process (ERP) is the pursuit of Awareness of Self, Others, and Ecosystem. One does not change the Self by imitating external behavior. Change comes through Awareness. The Other and the Ecosystem does not belong to you, to Self. Most of the Other, and the Ecosystem is unknown, out of Awareness. The Grand Narrative is the Illusion, that substitutes for lack of awareness. “When we look at a tree, we really don’t see” (p. 103). When we look at the Others, we really don’t see the persons, we only think we do. The fact is we are surrounded by Others and by Ecosystem, we don’t see, don’t understand, and don’t have Awareness. No Others can restory your life for you. You have to Embody Awareness and Restory your life. Waiting for Others to Restory your Self, is the Grand Illusion that substitutes for Awareness. To bring about change, understand what is going on. Awareness of Self, Others, and Ecosystem.

Every life has cycles of repeating the same stuff, over and over mixed with spirals of difference (for better or worse). To break out of cycles of sameness, means you enter spirals of difference. You stop repeating the same cycle-patterns, stop doing smae stages as before, in same status quo ways. See RHYTHMS of Spiraling Stress & Sustainability. To CPA Rejection-, Anger-, Rage-, Revenge-, Jealousy-Aware-ness is to make a choice to enter a downward-spiral. To CPA Peace-Aware-ness and Love-Aware-ness is to enter an upward-spiral of relationality.


Let's look more closely at the Relationality Triangle, beginning with Awareness and Embodiment.

Awareness and EmbodimentAwareness & Embodiment has to do with combining RESTORYING with MEDITATION. There are several meditation methods used with veterans to achieve stress reduction. There are two (& more) ways to look at it. In Western-based psychology, the veterans with stress, are pathologized, then treated and/or medicated, often for life. This is a process Duran (2006) calls the labeling or naming ritual, i.e. naming a 'disorder' or 'syndrome' for each veteran. An alternative is the 'soul wound' which looks at the history of wounding by war, by Veteran's Administration, by Western-based pathologizing (i.e. the naming ritual). Consultants also pathologize their clients. Consultants reflect the micro-tools of their professional trianing into the macro of the community. Consultants pathologize claients with Western perspectives, such as statistics training that further pathologize communities (in this case veteran) into some caluclaiton metrics, and mostly "irrelevant instruments" (Duran, 2006: 113). The research, does this, then publishes the narratives of veteran and community in academic journals, that most communities of veterans never will read. This Duran calls "helicopter research" (p. 113). The reasearcher promises grounded theory, but never actually touches groun, takes off vertically to prescribe theory categories, and uses the research methods to publish or perish.

The new buzzword, Participative Action Research (PAR), is often doing these things. PAR is immersed in Western trianing in Western thought and Western statistical methods, that has removed the veteran's community from the research at the get go. When all the PAR questions are rooted in Western methods to get Western answers, in Wester-defined problems, then what Duran calls the Western-root metaphor is driving the PAR. The PAR instruments do not seem to touch down from helicopeter mode, to get at the 'spirit' of the forces in play. Duran, for example looks at "spirit of alcohol" that is interhenerational in communities (families, tribes) and how in Western pathologizing, the person is labeled by the naming ritual, as alcoholic, as syndrome, as disorder, or as dis-ease. In thise way PAR imposes a Neo-colonial method onto the suffering of the community, without taking any notice whatsoever of the historical, intergenerational trauma.

Let's put this in Lacanian terms.

Boje's rendition of Storytelling Field with Lacanian Fractals

Figure 3 – Fractal of Lacanian Imaginary-Real-Symbolic Triads on Mirror Stage (Graphic by Boje)

The Storytelling Field is defined here as many Grand Narratives (GNs) and Living Story Webs (LSWs) with Antenarratives (Antes) traversing, connecting beneath, between, before, and in bets on the future.  The result is fractals patterns. The Real is surrounded, encased in the fantasmatic frame of Grand Narratives (GN) and by LSWs. LSW emerges in the very moment when the individual loses all support from the GN traditions, those Symbolic and Imaginary frames, the symbolic memory, the historicity that pretends to be full-blown history (Heidegger, 1962).   Some encounters of our Being-in-the-world give us a glimpse of our own Living Story Web (LSW) beyond the GN frames. Trauma derails the closed circuit and Real with the Fantasy-frame of GN, and one confronts LSW that is excluded from the Real, marginalized, tossed aside, assimilated.  “There is no reality without fantasmatic support” (Žižek, 1993: 90). In this Storytelling Field, there are fractals within fractals, multiplicities within multiplicities.  Our embodied LSW relationships encounter cultural-symbolic constructions and cultural over-determinations (IBID.: p. 128).

We never reach Nature, yet Antes sometimes gives us a glimpse. The GN “gesture of universalization” of so many GNs and Counter-GNs and those LSWs surround the Real on all sides.  The GN and Counter-GN, each is “the tautological gesture of the Master-Signifier: (IBID.: p. 130).  Our wish to be an autonomous agent gets interrupted and appropriated by the Master-Signiers, their answer to autonomy is sometimes Control, other times Mercy and Grace to enslave us as servants to this or that ideology (IBID.: p. 166).  The Real of Jouissance, Lacan’s untranslated word (p. 35) is part of this Storytelling Field.   LSWs of real people morphs into simulation, and the Real takes on a fantasmic-space. 

The Real’s hard kernel resists GN simulation. PTSD and MST are horrifying realities, and yet they have taken their place in our GN as “ideological fantasy-space” (p. 44): the flashback, the recurring nightmare of the Event, freight from a quiet noise.  These are symbolic edifices of GNs such as Apocalypse Now, Deer Hunter, Rambo, and other Vietnam fantasmatic simulations.

A 'soul wound' can show up in the fMRI, in the EEG, and in the life histories.

Here in Las Cruces we are using mindfulness meditation in our work with RESTORYING to get at soul healing of veterans.

before and after a discipline of meditation practice

Figure 4 - Brain at Rest and in Meditation by Monks (source of image)

Professor Davidson's research used functional magnetic resonance imagining (fMRI) to pinpoint the left prefrontal cortex as a brain region associated with happiness and other positive thoughts and emotions. Mediation increases gamma wave brain activity.

Davidson, Richard J., The wellspring of wellbeing, International Innovation, Issue 121, North America, (Research Media, UK, pp 117-119) ISSN 2051-8528. See full issue.

"Mind-body therapies, such as meditation, yoga, and tai chi are being used by Veteran's hospitals and military organizations across the country to provide relief from the traumas of war and the mental anguish that follows" (Smeeding et al., 2010).

Our New Mexico-based project combines mindfulness meditation with an embodiment approach to RESTORYING that includes working with horses. Horses don't lie, they reflect or mirror-back your emotions.



The quote in the post is inspiring: “Genuine suffering can touch our hearts honestly to show us our need for greater knowledge. But, in order to benefit from its instruction, we need to look beyond painful experiences and transform the patterns that caused them. Of what value is our present education—in the largest sense—if it does not teach us how to do this? If it does not teach us to be free of suffering and pain?” Tarthang Tulku, Knowledge of Freedom and Time to Change

In the storytelling work I am doing with veterans, we are looking at how to restory the painful experiences and transform them. In restorying work, we do not relive the trauma event, rather we take an embodied and mindful approach to reclaim parts of the Self that have been forgotten or dismissed by the ‘Big stories’ others have that characterize who we are. One way to do this is using Materail Storytelling (Strand, 2012 Book 1 theory - Book 2 method; Strand & Jorgensen, 2013 material storytelling as interactive becoming; Boje, Strand, Jorgensen, 2013; Bøje, D. M.; Jørgensen, Kenneth Mølbjerg; & Strand, Anete M. Camille, 2013) TOWARDS A POSTCOLONIALSTORYTELLING THEORY OF MANAGEMENT AND ORGANIZATION, Journal of Management Philosophy, 2013).

The Big Stories have stereotypes of our character, and sometimes our Little Stories of our Self believe them. The stereotypes and stuck character-Selves are what can be restoried with the aid of a material storytelling methodology. The Big Stories come from Society, Media, Military, University, even from Family. These stereotypes of our character can become self-fulfilling prophecies.

The Little Story of the Self is more than a single event in one’s life. Rather, Little Story is the entire life from birth to death. Big Stories lay down character roles for our own day-to-day living stories.
“Meditation is the foundation of Self-development and well-being: (Tulku, 2006: 8). P-cal, for me, is a way to integrate Self with Awareness, in embodied ways, and helps us find a path of Self-knowledge. The restorying process transforms our everyday experience of Self, Awareness, Ecology, and Others into balance.

For me, restorying is absolutely natural, yet for many, to get started needs an instructor. Restroying is not separate from our Awareness, Self, Eco, and Others. Restorying is our consciousness of all these facets.

By restorying our lives become balance, and with P-cal, and Vipassana, as well as Tai-Chi, restorying can become embodiment-Awareness. This Awareness can expend to Others and Ecosystems. The Eco follows ago-old cycles of sunset an sunrise, birth and death, etc. of all bodies. Others bring us joy, and as the cycle turns, Others may disappoint us. Impermanence.

Veterans have hope that Community of Hope and other programs will solve their problems. Other kinds of projects take up our time and energy, yet seldom realize the fantasy results we held out for them. The Big Story tries to account for what Tulku, 2006: 16) calls “cycles of hope and fear, enjoyment and frustration, pleasure and pain.” Restroying brings about change and transformation when we admit that the cycles are embedded and entangled in the life-world, and that instead of just more hopelessness, the cycle keeps turning to a new possibility. Our four selves provide energy the change the negative habits and can fuel our spiritual growth (ibid, p. 17). “You will find all you need with your own heart” (ibid, p. 17).


ECOSYSTEM AND SUSTAINABILITYAs we meditate, our body (Selves+Awareness) is in communication with the four elements: earth, water, air, and fire. As we sit and meditate, the base of our spine connects to the earth. The saliva is water as we breath. The air that enters and leaves our lungs by way of the nostrils is another connection. Finally, the energy center of fire is in the navel (chakra) area of the body. Our body is in constant communication with the ecosystem, and that contact is fundamental to our sustainability, the balance of our body with its environs.

ECOSACRED is a posthumanist understanding of ecology for its sacredness. Living things are spirited and interconnected. What is Living Story? A living story is something I have developed in relationship to dominating narrative. I first encountered living story when I began my colleagueship with Kaylynn Twotress in 1997, and the idea took on more aliveness with Jo Tyler's work on story-aliveness. Living story developed more materiality in working with Cajete's and Vizenor's work on materiality in relation to story. Jack Appleton and I have more on the sacredness of Ecosystem is at ECOSACRED.NET. SUSTAINABILITY - NMSU is 'Greening the Curriculum' We are using 7 restorying steps to do institutional change.

Restorying can help move out of Stress and Strife into Peacefulness, PeaceAwareness.

HORSESENSE Is A Way to Learn how Horses see Your Mirror-Self

HorseSense at Work Figure 5: Nadhion, and Arabian Stallion, looking in the mirror, at Self. HorseSenseatWork is a posthumanist understanding of inter-species communication between horses and humans that can help people relate to their Ecosystems and to Others, including Other species, Organization worlds, and so forth. Grace Ann Rosile Ph.D. does equine skill training as part of Restorying. See HorseSenseatWork.COM.

OTHERS and ORGANIZATIONSOur Four Selves interact with Others and that includes Organizations. Our SELVES and EMBODIMENT are apart of the oneness of the body. Our bodies come to work and to deployment in theatres of combat. Each cell of the body remembers stress. At the same time organizations have their ways of Narrating about the Selves. The old military narrative was 'suck it up,' 'man up' and move on. The new military veteran includes use of mindfulness as well as restorying.

THE De-Stress & Stress SPIRALS

De-Stress & Stress Spirals © D. Boje 2014

Figure 6 - The De-Stress & Stress Spirals © D. Boje Mar 13, 2014

The Green Upward Spiral is a way to manage stress naturally by relating Awareness to the Selves. The Red Downward Spirals what happened as you ignore Awareness and Selves, such as Take-a-Break cues, and how physiologically, the body breaks down. Initially, and in short-term the body-selves can be a High, and in long-term get addicted to the Rush of stress, but eventually the body will shut down. This Double-Spiral model is based on the work of Ernest Lawrence Rossi, Ph.D.(1991) The 20 Minute Break: Using the new Science of Ultradian Rhythms (with David Nimmons; NY: Putnam Books) - - - has written about how our body rhythms go through a natural cycle to reduce stress, and how stress adapts to our environment (flight & flight) in short bursts, while when we ignore our body-stress rhythms, we run the risk of natural stress-destress cycles, plunging into a downward spiral. In the above figure I put Rossi's (1991) model into four steps of de-stressing that take you into upward spiral, and four steps of stressing out that plunge you into depleted health and performance efficacy.


Step 1 - Take-A-Break Cues. Awareness of the cues helps.

The Cues means its time to take a break: stomach rumbles, feel need to stretch legs, bladder says full, heave a sigh, mind wanders, memory lapses, feel spaced out, feel depressed, feel vulnerable, making more mistakes, and so forth. Listen to the Body Cues, have Awareness. Take a walk, go take care of body needs (bathroom, food, nap).

Step 2 - Breath Meditation. Vipassana works.

Take-a-Break and Meditate. You can meditate while you a sitting in a meeting, walking you dog, jogging, waiting in line, and most anyplace and anytime. Concentrate on the breaths going in and out. The first phase of Vipassana is concentrating on the nostrils, on how the air feels on your upper lip as you breath in and out. As your awareness wanders, gently and kindly bring it back to the nostrils and upper lip. If needed, count the breaths: count of six for in-breath, and six for out-breath. You can do this silently, and only you will know you are meditating. If some thought or experience comes up (good or bad), just place it in your imagination on a leaf and let if float away. Let any push or pull float away. In Breath Meditation, Be in non-attachment. This will let you Take-a-Break, and retrun refreshed.

Step 3 - Selves & Awareness Healing

In our discussion of the Four Selves, we noted that Selves and Aware-ness constitute the Body. The Body is in communication with all its senses with the Ecosystem and Others. Shift Awareness to your relation to the Selves. Notice what is the relation of Mirror-Self, Social-Self, Heart-Self, and Frozen-Self. Take-a-break (step 1) gives you time and space for SELVES-AWARENESS. Shift your Awareness from inner-space of Selves, to the Environs, to the Ecosystem and to Others around you, in the room, in the building, in the region you are staying, the earth, sky, air, water, heat (fire), the energy all around and through you.

Step 4. 4 Rs: Rest Relax, Replenish, & Repair

As you move into Upward Spiral of De-Stressing, the 4 R's are very important. In Vietnam, I worked in R&R, providing facilities, activities, services that helped soldiers from the front lines to get Rest and Relaxation. Soldiers could Replenish and Repair. This consisted of a Gymnasium, with racquet ball courts, weight rooms, basketball courts, etc. I did some life guarding at the Olympic size swimming pool. There was also a Service Club for dancing, music, games. We had several libraries, a bowling alley, and crafts center (photography, jewelry making, painting, drawing). I was Company Clerk for six months, and then ran the Golf Pro Shop, putting on tournaments, etc.

When anyone goes into workaholic mode, and ignores the steps of Take-a-Break cues, Breath Meditation (or prayer), Selves & Awareness Healing, and the 4 R's, then they are out-of-balance, headed into the Downwards Spiral.


Step 1 - Ignore Take-a-Break Cues

Working without a break. Pushing yourself in school, university, work, or military. This means you are not being in Awareness. Without it, the signals the body is sending your Selves get ignored. You are burning your reserves.Rossi (1991) talks about the message molecules between what I am calling Selves and Awareness, getting out of whack, out of synchrony. I can get engrossed in writing, teaching, or whatever. It feels good for a while. I am in peace, joy, and self-control. Then after about 90 minutes, there are Take-a-Break cues (bladder full, stomach rumbles, legs hurt, sigh, yawn, mind wanders, cannot remember names, etc.). I need to take a break, take the puppies for a walk, go have a snack. My Mirror-Self starts to argue with my Heart-Self. As Rossi (1991: 36) exclaims, "Look, the work you have to do is really important, stop goofing off, no time for rest!" My Heart-Self says, 'Hey dude, you are winding down. Keep it up and its step 2 for you.

Step 2 - Stay High on Hormones

The Selves and Awareness connection gets over-stressed by the over-work. There are 'stress messengers' I am ignoring. I am still pumped up ready like a predator, for flight, or like a prey for flight. As I go into Fight-Flight, my hear rate speeds up, my reflexes kick in, more oxygen is pumped to muscles, I am using the body's storied fuel from liver, etc. This is all very well and good for a few moments. After 90 minutes, the rhythm is depleted, and its very risky to keep pressing on. The Selves get disconnected from the stress messages, and Awareness is cut off. Anger, rage, starts to rise from the Frozen-Self. There is an energy flow, an energy surge, and the adrenalin kicks in. The body's natural opiates kick in. The problem is in the Stay High on Hormones step, you are cut off from Others, the signals they send to chill out, cool down. You are cut off from Ecosystem, everything is Fight or Flight, nothing relaxing, replenishing, refreshing is coming through to your Selves and your Awareness.

Step 3 - Addicted to the Rush

I feel the rush of energy. Runners know all about it. I ran for hours a day, long-distance running, 5 and 7 miles, to get the Rush. You run to get the rush of energy. You are high on hormones. It is intoxicating. Run raster. Manic, speed-up, the adrenalin rush. Running for pleasures, for fitness, to prepare for Marathons. All well and good. This is running in your entire life to get the Rush. Flashes of rage, short-temper, some narcissistic behavior. Its great for the workaholic to rush too. In Step 3, addiction has kicked in. The messenger molecules (Adrenaline) have been colonizing the body. You are oblivious to the cues to Take-a-Break. Bliss comes from all those beta-endorphins, and you continue to override the R&R signals. You are deep into the downward slope of the spiral of stress. The hormonal messenger molecules try to keep your performance up to par. But, dysfunction has set in and the performance i dropping quickly. You can't concentrate to read, write, think, or speak coherently with the skill you once possessed. Your five senses start to diminish. You don't see things as others do. You are unalbe to smell, taste, or touch with skill and sensitivity, as others do, or as you once did. It's all diminishing quickly. You are making embarrassing mistakes. You cannot seem to remember tames. The typos increase in your writing. There are gaffes, and you are careless.

Step 4 - Body Rebels & Shuts Down

As you become more overwhelmed by the life world's simplest demands, the body rhythms are so disrupted they cannot self-heal naturally. Natural healing, is the path of the Upper Spiral. It may be too late to shift to the Upper Spiral path. As the body stress hormones pill up, and those stress-messenger molecules course through the body, their signals and cues ignored, out of your Awareness, then some major health issues come to bill you.

  1. Ulcers in stomach
  2. Headaches
  3. Muscle aches
  4. Heart dysfunctions
  5. Colds, flu, Bronchitis, Asthma, etc.
  6. Gastritis
  7. Shorter and shorter life span
  8. Psychosomatic illnesses including sleep problems, hallucinations, and it gets worse.


1. VIPASSANA - means clear insight. It is over 2,500 years old in Asia, was forgotten for 500 years, and recently was reintroduced by some people from Burma, who had secretly passed it on from generation to generation. In New Mexico, in Las Cruces, we are working with veterans using a combination of Restorying and Vipassana.

The practice is 10 hours a day, for 10 days. See TED Talk on its use in Prisons in Middle East and Alabama.


There are 'free' Vipassana training programs around the world, in most languages. A donation is given by participants.

2. MBSR - Dr. Jon Kabat-Zinn founded Mindfulness-Based Stress Reduction (MBSR). He is a researcher at the University of Massachusetts. See YouTube


MBSR is similar in many ways to Vipassana. Both use gentleness to coax, what I call the Frozen-Self to thaw a bit at a time through practices of embodied awareness. This next example is how MBSR is used in corporate settings such as Google Corporation.

3. HONORING THE PATH OF THE WARRIOR - a program fiscally sponsored by the San Francisco Zen Center, that has been assisting post-9/11 and Persian Gulf veterans in making a positive transition from military to civilian life since 2007.   Veterans talk abou the process in next YouTube:


4. Project Welcome Home the Troops - See Vimeo that explains the next clip. It is a University of Wisconsin research project. Professor Emma Seppala heads up the project. It is based on Professor Richard J. Davidson's (Center for Investigating Healthy Minds YouTube) approach to mindfulness and neuroscience. They have a liberal university IRB that allows films of the Veterans in sessions, and interviews, as well as surveys being filled out to be aired in Vimeo.

Free the Mind - a 7 day workshop using Sudarshan Kriya breathing technique used by Project Welcome Home Troops.

It is a more rapid breath work, with more vigorous kinds of yoga.

Here is a YouTube showing the technique


"US Army veteran Stephen Lee went from a war in Afghanistan to a big university campus where he had nothing in common with his classmates in addition plus two new babies in his home that he didn't have when he left."

"Lee explained to HuffPost Live host Ricky Camilleri how he would watch himself get angry and balling up his fists and he knew something was wrong just by the way he interacted with the world. And then he became part of a study on meditation and the brain. To find out how meditation affected him watch the video above.

Stephen Lee is one of the people featured in 'Free the Mind', a new documentary about the brain, neuroscience and meditation."

PURPLE MOUTAIN INSTITUTE MINDFUL VETERANS PROJECT - offers free Mindfulness-Based Stress Reduction (MBSR) classes for veterans in Tucson, AZ. More info.



QUANTUM STORYTELLING gives you info on YouTube "Quantum Storytelling: Blacksmithing Art in the Quantum Age" - produced by Grace Ann Rosile and David M. Boje. Boje narrates the video. QUANTUM STORYTELLING is also the name of our Annual Conference, held in Las Cruces, New Mexico, around my birthday, December 17th.

SUSTAINABILITY @ New Mexico State University - this is the 'Greening the Curriculum Project."

Standing Conference for Management and Organizaitonal Inquiry Annual conference held on East Coast of US around March/April. Join the Facebook sc'MOI Discussion page

TAMARAJOURNAL.COM draws on Critical Management Theory and Postmodern Organization Science and is based in story/narrative and other qualitative study. It combines critical theory as well as postmodern theory and postcolonial theory and critical pedagogy with praxis. And one that seeks a higher ethics of global production and consumption.

"The ♥-of-Care of the Life-Path of Organizations Double-Spiral-Antenarrative choices through Landscapes of Quantum Fields" What the 'bet' sort of antenarratives (spiral- & rhizomatic-assemblage-antenarratives) offer is encounters with ethics of care, ethics of answerability, in the whole life-path of once-occurrent Being as Bakhtin calls it, or the care for potentiality of Being-a-whole-Self as Heidegger (1962) calls his ontological approach. Both are about a life-path rather than a mere epistemic (past narrative) or an ontic (objectification of present). The 'bet' is on 'avenir' shaping and creating a field of potentialities, that also arrive ahead to shape past and present. This is a radical, non-linear approach to quantum storytelling.